Don’t have too much to say about this one. Except that this is supposed to be locomotive control place (i literally forgot how’s it called) but it looks nothing like it should.
I just can’t see Azusa as “beauty-cute”, some see her. All i see is “ugly-cute” charm and lack of real social skills.And also, i can’t see her as a child. Some, seemingly, can.
It’s, uh… hard to imagine what’s fitting to post on such a special occasion.
How do you summarize such a cultural phenomenon? What represents all of what it means to you?
Well, at last, I think I’ve found it.
This scene right here, as ol’ Scoob struts in, balancing 9 lovely pizzas…
…and – temporarily turning them 100% more magenta – throws them into the air…
…causing five to hit the ceiling fan…
…followed by four more, making nine total…
…followed by yet another four, just for pizza-reality-defying good measure.
Which – for those of you playing along at home – is considered by most mathematicians to not add up to nine.
And what happens when they land?
They turn into only four pizzas, ‘cause that’s just how Scooby rolls.
Why is a sequence like this so special?
‘Cause it doesn’t matter if you’re chasin’ a pizza with boomeranging abilities…
…or eatin’ a “pizza” that looks like a pink rolled-up yoga mat…
…if you just sliced up pizza, for your whole gang, with a ceiling fan…
…you’re a darn good (and awfully clever) friend.
Happy 50th, Scoob, and here’s to another 50 years of cartoon physics and delightful inconsistencies.
And may animation tech never make errors fully a thing of the past, as there’s nothing cooler than finding the figurative fingerprints of the creators who worked so hard to make it all a reality.